an area guide to things i make
and disappearing between the lines


Memoirs from the Moon ..

The sky remains black ..
Relief could be found only in the shadows
of the rocks and craters .

Signals .

I worked on these two Signals ..
While we were having a Black Out for two days
and two men were replacing
the old transformer with a new one .

Mixed media collages with paint and ink  .


Art Exhibition and Gala in New York

New York Friends ..

Tomorrow night , June 7th ,  is the Art opening Exhibit and Gala in New York at Chashama !
Beginning at 9pm at 4 Times Square on the 22nd floor . You are invited )

A few of my pieces will be in the show !

Info ~~~
The Chashama Art and Afterparty is to feature the incredible work and stories of 50 Artists, alongside 150+ installations, and artists and performers!

Every year, Chashama converts 30,000 square feet of office space into a massive maze of artistic wonder, featuring fire art, pole-dancing spirographs, and surprises around every corner.
You’re invited to come celebrate NYC’s amazing and unique art communities!

All proceeds support Chashama's mission to give artists space to create and present their work, while providing free arts programming in underserved communities.
Ticket to the event:


THings at SeeMe ..

Thank you SeeMe Community for presenting my work !
Translating the Signals coming through ..

Mixed media on old found photos . Ink and white out .

Black Pools ..

Two Black Pools from the workshop studio ..
Translating the information inbetween reality and unreality .

Mixed media collages on wood panels .
Oil paint , ink , white out , old found photos .

Lithium and Laudanum ..

A pair of mixed media collages I made on the interior
sides of old book covers I have been holding onto
and admiring for years .. 

Lithium above .. And Laudanum below .

Sending Signals .


Public Arts .. In a show at Public in NYC

.. Friends that live in NYC .. 
Tomorrow evening .. 
You are invited to an opening that I am participating in at 'Public' .. 
Here is the info and address )

(Friday March 9th 5pm) 

Signals .. From the SoundMaps series is in 
the Exhibition at Public )


.. Signals ..

.. Sending Signals from the workshop ..


Signals ..

 From the workshop today ..
A a part of the SoundMaps
installation .


Signals and SoundMaps ..

Working in the studio this morning on
this SoundMaps installation .. Listening devices ,
Wires and Communication ..

Signals .. on an old photo .
Paint and ink .


Making The Cut . Vol 1.

Volume 1 . Making the Cut .
A beautiful book by artists at Crooks Press 
in Melbourne , Australia ..
About contemporary collage artists
and mixed media artists .
Thank you so very much for
having my work and including my 
art in your book !


Listening Device ..

.. Eyes and Ears .
{SoundMaps installation}


Noelle Maline’s installation Sound Maps is inspired by a story told by her mother. As recounted by Noelle, her parents were traveling in Czechoslovakia in the late 70’s. Shortly after they arrived and en route from the airport to their hotel, the taxi driver firmly instructed her mother and father  to only speak in whispers for the duration of their visit. As he explained, everything was bugged - - their hotel, the phone lines and, even the pipes running through. 

In 1970, it would have been another nineteen years before the fall of the Berlin Wall. The liberalization of Eastern Bloc was still a far off reality. In Czechoslovakia and other Eastern European countries, surveillance was woven into the fabric of everyday life and with deep psychological effects on people’s sense of freedom.  During this time of history, the wall between East and West Germany came to symbolize the physical marker of the ‘Iron Curtain’ (later to be referred to as the ‘Wall of Shame’) blocking the movement of freedom. Czechoslovakia was one of several countries marked by Soviet occupation after World War II and, with restrictions on emigration throughout the Eastern Bloc.

Metaphorically behind this Iron Curtain, stories were shuffled through the invisible threads that linked the intellectual minds and spirits of those alive and deceased. While literally, stories and voices were captured in wires through the mechanisms that took tabs on people’s thoughts, whereabouts, affiliations and future plans. Emigration and defection was still an active threat to the powers that be and, with any fluid movement of freedom under strict watch. 

Sound Maps touches this concept of freedom through references to different modes of communication, whether through stories secretly passed or layered in different planes of existence. While black ink is scribed over, across and in between faces and bodies captured within old black and white photographs, we understand that messages and information have been and are being passed. While images are frozen in time, the artist alludes to the idea that stories, voices and whispers are transmitted between tangible and intangible worlds. Similar to a secret agent collecting artifacts, a map of found images and pockets of objects builds a larger contextual story. We may not explicitly know the linear narrative, but we know the narrative is embedded within. 

Interspersed throughout the installation, Maline’s larger collage and mixed-media works further illuminate and become anchor points where identity and mystery congeal as moments of creative discovery. Perhaps, we (as the viewer) stop to pay homage to a time in history when the movement of freedom was not accessible and, to the untold stories therein. Meanwhile, it may compel one to reflect on current cultural and political shifts that leave us questioning ‘freedom’ as a taught ideological point of departure and possible reunification, barrier and emigration, deflection and return.